Rock vs. Cancer, A Review
It snuck up on me like a flash flood.
The Panama Sound ethos. How we protect the creative flow, and our perspective on creating an environment where artists can do their most meaningful work.
It snuck up on me like a flash flood.
And why I refuse to record it.
1991: I’m 14, standing in the Exploratorium with my dad, watching Todd Rundgren explain digital recording to a room of audio nerds.
I’m 49. Almost 50. That number used to feel like trivia. Now it feels like a clock.
I wasn’t planning a recording studio. I was planning to ghost.